Jaja’s African Hair Braiding at Manhattan Theatre Club – A Review
Jaja’s African Hair Braiding At Manhattan Theatre Club These days White people get lectured a fair amount about the dos and don’ts of how they should approach Black women’s hair. Thanks to Jaja’s African Hair Braiding, Jocelyn Bioh’s hit comedy at Manhattan Theatre Company, curious White folk have an opportunity to indulge their curiosity at […]
The Best Seats At The Shaw Festival
Shaw’s best seats Back in the days when I was writing guidebooks to Orlando’s many theme parks, I would include a section in my descriptions of various attractions called “the best seats in the house,” wherein I would attempt to guide readers to the best locations from which to maximize their enjoyment of a roller […]
Private Jones At Goodspeed Musicals – A Review
Private Jones At Goodspeed Musicals Private Jones, Marshall Pailet’s ambitious new musical at Goodspeed Musicals, aims high and hits a few targets but ultimately misses the mark. Based on a supposedly true story, Private Jones tells the story of a deaf kid from Breconshire, Wales, who lies about his age to do his bit in […]
2023 Season – A Look back
Reflections on the 2023 Season It’s not a horserace, it’s not a competition, and there are a lot of apples vs. oranges considerations when it comes to discussing the very different theatre companies that call southwestern Ontario home. And yet . . . Now that the 2023 season is more or less over (Stratford has […]
The 12 At Goodspeed Musicals – A Review
The 12 At Goodspeed Musicals The 12, the new musical at Goodspeed Musicals by Robert Schenkkan and Neil Berg, about the twelve apostles minus Judas (yes, those guys) looks terrific. The set designer John Doyle, who also directs, has created a surprisingly attractive dump of an abandoned industrial site. It’s an empty box, all corrugated […]
Wish You Were Here At The Yale Rep – A Review
Wish You Were Here At Yale Rep Sanaz Toossi’s Wish You Were Here, now playing at New Haven’s Yale Rep, is a well-intentioned disappointment. Wish You Were Here charts the gradually unravelling relationships among a tight-knit group of five female friends in Karaj, Iran, during a tumultuous period. The decade or so between 1978 and […]
The Master Plan At Crow’s Theatre – A Review
The Master Plan At Crow’s Theatre I was familiar with the work of director Chris Abraham mostly through classics like Much Ado About Nothing and Uncle Vanya, so I was eager to see what he would do with The Master Plan, Michael Healey’s new “ripped-from-the-headlines” play at Crow’s Theatre. I wasn’t disappointed. It’s terrific. The […]
The Amen Corner At The Shaw Festival – A Review
The Amen Corner At The Shaw Festival The Shaw Festival’s production of The Amen Corner, James Baldwin’s searing tragedy set in a Pentecostal church in 1950s Harlem, marks the first time a play by a Black author has graced the mainstage of the Festival Theatre. Having seen Kimberley Rampersad’s blockbuster production, it’s hard to image […]
The Shadow Of A Doubt At The Shaw Festival – A Review
The Shadow Of A Doubt At The Shaw Festival The Shaw Festival has a history of rediscovering long-forgotten plays. With The Shadow Of A Doubt they’ve done themselves one better by producing the world premiere of a 1901 play by none other than Edith Wharton, the first woman to receive a Pulitzer, not in drama […]
The Clearing At The Shaw Festival – A Review
The Clearing At The Shaw Festival Shaw Festival artistic director Tim Carroll has a soft spot in his heart for the English Interregnum (1649-1660) and its aftermath. In 2019, he presented (and directed) Victory, a scabrous little play by Howard Barker. This season it’s the far superior The Clearing from 1993 by English playwright Helen […]