Elsewhere

Escaped Alone At Yale Rep Caryl Churchill’s 2016 play, Escaped Alone, is a puzzlement, which despite its 55 intermissionless minutes seems to go on forever. The four women in Yale’s production of Escaped Alone, middle-aged to elderly (although Churchill apparently specified that they are all “at least 70”), sit in a garden and natter on…

A View From The Bridge at Long Wharf Theatre The now homeless and itinerant Long Wharf Theatre is making ingenious use of an ad hoc space on the second floor of the sleek Canal Dock Boathouse on the shore of New Haven harbor to mount a smashing revival of Arthur Miller’s 1955 A View From…

The Salvagers At Yale Rep The Salvagers by Harrison David Rivers, having its world premiere at Yale Rep, is the latest in a long line of semi-successful plays to indulge in kitchen sink realism. There is an angry young man at the center of the working class Salvage family – a Black angry young man…

Dreamgirls At Goodspeed Musicals In 1981, when Dreamgirls debuted at the Imperial Theatre, it electrified Broadway – and me – thanks to a star-making turn by Jennifer Holliday and an eye-popping production orchestrated by director Michael Bennett with the aid of theatre design legends like Robin Wagner (sets), Theoni Aldredge (costumes), and especially lighting designer…

Jaja’s African Hair Braiding At Manhattan Theatre Club These days White people get lectured a fair amount about the dos and don’ts  of how they should approach Black women’s hair. Thanks to Jaja’s African Hair Braiding, Jocelyn Bioh’s hit comedy at Manhattan Theatre Company, curious White folk have an opportunity to indulge their curiosity at…

Private Jones At Goodspeed Musicals Private Jones, Marshall Pailet’s ambitious new musical at Goodspeed Musicals, aims high and hits a few targets but ultimately misses the mark. Based on a supposedly true story, Private Jones tells the story of a deaf kid from Breconshire, Wales, who lies about his age to do his bit in…

The 12 At Goodspeed Musicals The 12, the new musical at Goodspeed Musicals by Robert Schenkkan and Neil Berg, about the twelve apostles minus Judas (yes, those guys) looks terrific. The set designer John Doyle, who also directs, has created a surprisingly attractive dump of an abandoned industrial site. It’s an empty box, all corrugated…

Wish You Were Here At Yale Rep Sanaz Toossi’s Wish You Were Here, now playing at New Haven’s Yale Rep, is a well-intentioned disappointment. Wish You Were Here charts the gradually unravelling relationships among a tight-knit group of five female friends in Karaj, Iran, during a tumultuous period. The decade or so between 1978 and…

Summer Stock At Goodspeed Musicals Summer Stock, the horribly dated 1950 film starring Gene Kelly and a fading Judy Garland, has been transformed into a “new musical comedy” at Goodspeed Musicals in East Haddam, CT. The big question for anyone who remembers the film is “Why bother?” There are two answers to that question: Cheri…

Gypsy at Goodspeed Musicals Goodspeed Musicals in East Haddam, Connecticut, known to us old-timers as the Goodspeed Opera House, is mounting a workmanlike production of the Arthur Laurents/Jule Styne/Stephen Sondheim classic, Gypsy, directed by Jenn Thompson. The production tries mightily to do justice to what many critics and historians of the genre consider the greatest…

The Ripple, The Wave At Yale Rep Playwright Christina Anderson’s earnest The Ripple, The Wave That Carried Me Home makes great use of water as metaphor. The 90-minute play, performed without intermission at the Yale Rep, strives for poetry as it tells the tale of segregated swimming pools in the fictional town of Beacon, Kansas,…

Ain’t Misbehavin’ at Westport Country Playhouse The Westport Country Playhouse is presenting a middling revival of Ain’t Misbehavin’: The Fats Waller Musical Show. Conceived by Richard Maltby, Jr. and Murray Horwitz, it wowed Broadway (and me) back in 1978. For this outing, a co-production with Barrington Stage and Geva Theatre Center, director Jeffrey L. Page…

Mojada At Yale Rep The play’s title is Mojada, which literally means “wet” in Spanish, the feminine form of the Mexican slur for “wetback.” The play’s subtitle is A Medea in Los Angeles, so you know things aren’t going to end well. And I’m not talking about the traffic on the 101, which runs through…

Sound Of The Underground at The Royal Court Those coming to Travis Alabanza’s Sound of the Underground at London’s Royal Court Theatre expecting the sort of cheerful, glamorous drag show popularized by La Cage Aux Folles and Ru Paul’s Drag Race will likely be disappointed. Those who can handle some in-your-face and occasionally angry social…

Vodka With Stalin [Full Disclosure: I am a long-time friend of the playwright.] Francis Beckett is a prominent English historian of twentieth century left-wing British politics who writes the occasional play. In Vodka With Stalin, now enjoying a brief run at Upstairs at the Gatehouse, in Highgate, London, he has turned for inspiration to one…

Pride And Prejudice At Kentucky Shakespeare Jane Austen purists may be horrified by Kate Hamill’s rollicking, anything-for-a-laugh 2017 adaptation of Pride and Prejudice. They would be well advised to put their high standards aside for an evening and enjoy the often hilarious romp being presented by Kentucky Shakespeare in the commodious Bombard Theater in downtown…

Christmas in Connecticut at Goodspeed Opera House Christmas in Connecticut, the 1945 Warner brothers film, is a sappy, sentimental, but nonetheless highly enjoyable rom-com (to use a turn of phrase not yet then coined). Its success is due largely to the chemistry between stars Barbara Stanwyck and the now largely forgotten Dennis Morgan. The film…

The Brightest Thing In The World At Yale Rep As Leah Nanako Winkler’s The Brightest Thing in the World opens, two attractive young women, Steph (Michele Selene Ang) and Lane (Katherine Romans), meet cute in a Lexington, Kentucky, coffee shop. And meet. And meet. And meet. Over the course of Steph’s repeated visits (cleverly staged…

Kimberly Akimbo on Broadway Kimberly Akimbo may be the weirdest show to ever worm its way into the hearts of a Broadway audience. But that is precisely what this musical by David Lindsay-Abaire (book and lyrics) and Jeanine Tesori (music) is doing at New York’s Booth Theatre. Kimberly is a high school student of fifteen,…