One For The Pot At The Shaw Festival What to say about One For The Pot now at the Festival Theatre in Niagara-on-the-Lake other than “WTF!?” One For The Pot by Ray Cooney and Tony Hilton is one of the famous “Whitehall farces” that ruled the London stage in the
Heartbreak House At The Shaw Festival Tim Carroll’s production of George Bernard Shaw’s Heartbreak House boasts a stellar cast. Why then does it fall so flat? A major reason, I think, is that a very important character is missing – Heartbreak House. Not the play but the physical location. Shaw
Jeeves & Wooster At The Shaw Festival I have a vague suspish that Robert and David Goodale must have seen The 39 Steps or Stones In His Pockets and thought, “Jolly good fun! How hard can it be?” And so, taking the inimitable P. G. Wodehouse stories of the amiable,
The Long Weekend At The Foster Festival When the first line of a play is “This weekend is going to make a colonoscopy seem like a lighthearted treasure hunt,” you sense that it’s going to be a bumpy ride. So it is with the revival of Norm Foster’s 1994 hit,
Sleuth At The Shaw Festival I believe I am on record as not liking plays such as Sleuth, the brain-twisting murder mystery by Anthony Shaffer, now enthralling audiences at the Shaw Festival’s resuscitated Court House Theatre. Like Agatha Christie’s And Then There Were None, Sleuth challenges you to figure out
The Importance of Being Earnest At The Stratford Festival Krista Jackson’s vastly entertaining production of Oscar Wilde’s The Importance of Being Earnest, currently playing to packed houses at the Stratford Festival’s Avon Theatre, may not be absolute perfection, but it will more than do until something better comes along. Wilde’s
Rhinoceros At The Yale Rep The Yale Rep is mounting a spirited revival of Eugène Ionesco’s absurdist masterpiece Rhinoceros in a new adaptation by Frank Galati (from a translation by Derek Prouse) under the direction of Liz Diamond. Ionesco’s parable depicts a small French town whose residents are turning, one
English At Long Wharf Theatre English, the first play by Sanaz Toosi, comes to New Haven with impeccable credentials – a Pulitzer Prize in 2023 following its Off-Broadway debut in 2022 and then a Broadway remount in 2025. Even though English is now getting a solid production at Long Wharf’s
A Christmas Carol at KCRep Having just seen two modern Canadian adaptations of Dickens’ A Christmas Carol at the Blyth Festival and the Foster Festival, I found it fascinating to take in a good, old-fashioned production of the perennial holiday favourite in Kansas City, Missouri. The KCRep is one of
Spunk at Yale Rep The Yale Rep in New Haven, Connecticut, has unearthed a treasure in Zora Neale Hurston’s exuberant 1935 play with music, Spunk. It was never produced and lay forgotten before being rediscovered in the Library of Congress in 1997. Refurbished and lovingly fleshed out with new songs
Make England Great Again Upstairs At The Gatehouse Scathing political satire seems to be in short supply on North American stages (if I’m wrong, please correct me in the Comments), but thanks to Francis Beckett’s perfectly timed Make England Great Again it’s alive and well in London. Make England Great
Mitridate Re Di Ponto at the Teatro Real When I was a lad of fourteen I had learned to do something kinda fun. At the same tender age, Wolfgang Amadeus Mozart had learned how to compose an opera. Mitridate, Re di Ponto, the opera in question, is being presented at
Brushing Up Your Shakespeare I am an avid listener of The History of English Podcast, by Kevin Stroud, which helps while away the time as I commute back and forth from Stratford to the Great Satan to the south (thank you, Immigration Canada). Unless you’re a hopeless language nerd like
The Blyth Festival Podcast I wanted to give a brief shout out to the Blyth Festival Podcast, an excellent way to keep abreast of what’s coming up at Blyth. Hosted by Joanne Wallace, Blyth’s Director of Development, these short (35 to 45 minute) episodes typically take the form of interviews
“We’re A Cult” – The Leonor Stratford has a new “third space!” The Leonor on George is hard to categorize and hard to resist. It’s a bookshop/boutique/tea room/performance space that seeks to become a gathering place for Stratford’s arts community and those drawn to it. The tag line says it
Stratford Takes A Giant Step – Backward When the Stratford Festival began in 1953, it was helmed by a Brit, the legendary Tyrone Guthrie. The Festival continued to turn to the mother country for leadership for many years thereafter. Since Richard Monette became Artistic Director in 1994 the Festival has
Complete List Of Plays By Norm Foster I have become a huge fan of the plays of Norm Foster as regular readers of OntarioStage may have noticed. I am always eager to add to the number of Norm Foster plays that I have seen. Norm Foster is often described as
“On Canada’s Top Stage, Macbeth and Annie Are Talking to Americans” Jesse Green, lead critic for the New York Times, has written what amounts to a love letter to the Stratford Festival’s 2025 season. His gloss on the themes of the season thus far is spot on and well worth
