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Schoolhouse At 4th Line Theatre – A Review
Schoolhouse At 4th Line Theatre Schoolhouse, a memory play by Leanna Brodie, is getting a spirited revival under the inventive direction of Monica Dottor at the rural – very rural – 4th Line Theatre. Developed at 4th Line and premiered at the Blyth Festival in 2006, Schoolhouse takes us back to 1938, to SS #1…
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Curveball At The Blyth Festival – A Review
Curveball At The Blyth Festival Following up on the success of Sisters of ’78, and with much the same cast, the Blyth Festival’s world premiere production of Curveball tells the story of Stratford’s Kroehler Girls. Like Sisters it is the tale of Canadian women struggling to make their mark in a world dominated by men…
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Funny Girl At The Shaw Festival – A Review
Funny Girl At The Shaw Festival Funny Girl, the bio-musical of Fanny Brice haunted by memories of the performance that shot Barbra Streisand to super-stardom, is being born anew at the Shaw Festival thanks to a luminous Sara Farb. With music by Jule Styne, lyrics by Bob Merrill, and a book by Isobel Lennart, Funny…
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One For The Pot At The Shaw Festival – A Review
One For The Pot At The Shaw Festival What to say about One For The Pot now at the Festival Theatre in Niagara-on-the-Lake other than “WTF!?” One For The Pot by Ray Cooney and Tony Hilton is one of the famous “Whitehall farces” that ruled the London stage in the 1950s and 60s. (Neil Barclay’s…
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Heartbreak House At The Shaw Festival – A Review
Heartbreak House At The Shaw Festival Tim Carroll’s production of George Bernard Shaw’s Heartbreak House boasts a stellar cast. Why then does it fall so flat? A major reason, I think, is that a very important character is missing – Heartbreak House. Not the play but the physical location. Shaw describes the set for the…
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Jeeves & Wooster At The Shaw Festival – A Review
Jeeves & Wooster At The Shaw Festival I have a vague suspish that Robert and David Goodale must have seen The 39 Steps or Stones In His Pockets and thought, “Jolly good fun! How hard can it be?” And so, taking the inimitable P. G. Wodehouse stories of the amiable, high-born twit Bertram Wooster and…
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The Long Weekend At The Foster Festival – A Review
The Long Weekend At The Foster Festival When the first line of a play is “This weekend is going to make a colonoscopy seem like a lighthearted treasure hunt,” you sense that it’s going to be a bumpy ride. So it is with the revival of Norm Foster’s 1994 hit, The Long Weekend, at the…
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Sleuth At The Shaw Festival – A Review
Sleuth At The Shaw Festival I believe I am on record as not liking plays such as Sleuth, the brain-twisting murder mystery by Anthony Shaffer, now enthralling audiences at the Shaw Festival’s resuscitated Court House Theatre. Like Agatha Christie’s And Then There Were None, Sleuth challenges you to figure out “whodunnit” before the playwright finally…
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The Importance Of Being Earnest At The Stratford Festival – A Review
The Importance of Being Earnest At The Stratford Festival Krista Jackson’s vastly entertaining production of Oscar Wilde’s The Importance of Being Earnest, currently playing to packed houses at the Stratford Festival’s Avon Theatre, may not be absolute perfection, but it will more than do until something better comes along. Wilde’s “trivial comedy for serious people”…
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Love Us Most At Here For Now Theatre – A Review
Love Us Most At Here For Now Theatre First, a public service announcement: Please don’t read the programme for Love Us Most, Sara Farb’s world premiere play at Here for Now, before you see the show. I did and expected a very different play from the one I saw. Love Us Most is a sharply…
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Dry Streak At The Blyth Festival – A Review
Dry Streak At The Blyth Festival The Blyth Festival has mounted any number of terrifc comedies over the years – Liars At A Funeral and Cakewalk come to mind – but I can’t remember when I last laughed as hard as I did at the astonishing comic payoff of Leeann Minogue’s Dry Streak. Minogue is…
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Othello At The Stratford Festival – A Review
Othello At The Stratford Festival Othello by William Shakespeare, at Stratford’s Tom Patterson Theatre, is the third Shakespeare I’ve seen this season and the third one I have liked. I admired it every bit as much as I did the RSC production in 2024. In my book that makes this season exceptional. Director Haysam Kadri,…
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Sisters Of ’78 At The Blyth Festival – A Review
Sisters of ’78 At The Blyth Festival Sisters of ’78, the new play by Kristen Da Silva, now receiving its world premiere at the Blyth Festival, is a perfect example of what makes Blyth so special. The play fulfills Blyth’s mandate to present new Canadian plays that reflect the lived experience of the people of…
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The Bean At The Foster Festival – A Review
The Bean At The Foster Festival The Bean, by the prolific Norm Foster, is receiving a sprightly world premiere at the charming Sons & Daughters Winery, tucked into the countryside south of St. Catherines. Norm Foster plays are often reports from the front lines of the battle of the sexes. The Bean reports on one…
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The Tempest At The Stratford Festival – A Review
The Tempest At The Stratford Festival Departing Artistic Director Antoni Cimolino’s particular brand of rough magic is on fulsome display in his imaginative production of The Tempest by William Shakespeare on the Stratford Festival’s main stage. I have long maintained that Cimolino is, arguably, the greatest interpreter of the Bard in North America, perhaps the…
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And Then There Were None At St Jacobs Country Payhouse
And Then There Were None At Drayton Entertainment I didn’t add Agatha Christie’s And Then There Were None at Drayton Entertainment’s St Jacobs Country Playhouse to my list of must-sees for a simple reason. I hate this kind of show. Why? you might ask. For the simple reason that, fiercely intelligent as I am, I…
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Waiting For Godot At The Stratford Festival – A Review
Waiting For Godot At The Stratford Festival If you have seen Waiting For Godot by Samual Beckett as many times as I have, you approach each new one with trepidation. So it is with relief that I am able to report that director Molly Atkinson’s take on this classic at the Stratford Festival is good…
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Guys And Dolls At The Stratford Festival – A Review
Guys And Dolls At The Stratford Festival After nine years, Donna Feore’s sublime production of Guys and Dolls is back on the Festival Theatre stage to bathe those who saw the 2017 edition in glorious nostalgia and to enchant those encountering it for the first time. Based on the stories of Damon Runyon, with music…
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The Hobbit At The Stratford Festival – A Review
The Hobbit At The Stratford Festival I saw The Hobbit at the Stratford Festival’s Avon Theatre with an audience of 800 students, some of them quite young. Their verdict is in. They loved it! They seemed to be rapt throughout the entire two and a half hours. They cheered some of the special effects, often…
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The Beaver Club At Lighthouse Theatre – A Review
The Beaver Club At Lighthouse Theatre I feel compelled to warn my readers that The Beaver Club by Barb Scheffler, now playing at the Lighthouse Theatre in Port Dover, ON, contains humour that is raunchy, off-colour, smutty, and occasionally downright dirty. I loved every minute of it! Four women of a certain age who live…


















