The Lion, The Witch And The Wardrobe At The Shaw Festival Back in 2016 at the Stratford Festival, Shaw Artistic Director Tim Carroll directed an adaptation of C. S. Lewis’ The Lion, the Witch and the Wardrobe (hereinafter LWW) by English playwright Adrian Mitchell. I didn’t review that show but
Bedtime Stories At The Firehall Theatre Bedtime Stories, a 2006 comedy by Norm Foster, which just opened at the Firehall Theatre in Niagara Falls, Ontario, is unusual for a Foster comedy. It also marks an unusual collaboration between the Foster Festival and the community theatres of the Niagara Region.
Annie At The Stratford Festival Let’s put aside the many ironies of Canada’s premier theatrical company staging a musical that features a New York City billionaire who not only claims to be the world’s most successful businessman but who has the ear of the president. Instead let’s talk about Annie,
Who’s Afraid of Virginia Woolf At Canadian Stage I’m not a big fan of Edward Albee’s Who’s Afraid of Virginia Woolf and the new production at Canadian Stage’s Bluma Appel Theatre in Toronto did nothing to change my mind. Perhaps when it debuted in 1962 this three hour plus exercise
Wights at Crow’s Theatre Wights, a noble failure of a play by Liz Appel, is getting the high-tech, razzle-dazzle treatment from director Chris Abraham that’s fast becoming his signature style at Crow’s Theatre in Toronto. Despite its drawbacks, I found it well worth the schlep into T-Town. In a house
Heist At The Grand Theatre Playwright Arun Lakra, whose Heist is enjoying an exuberant production at the Grand Theatre in London, Ontario, is a self-confessed fan of heist movies. His favourite and the apparent inspiration for Heist is Ocean’s Eleven, the star studded caper flick of 2001. Heist, the stage
Summer Stock At Goodspeed Musicals Summer Stock, the horribly dated 1950 film starring Gene Kelly and a fading Judy Garland, has been transformed into a “new musical comedy” at Goodspeed Musicals in East Haddam, CT. The big question for anyone who remembers the film is “Why bother?” There are two
Gypsy at Goodspeed Musicals Goodspeed Musicals in East Haddam, Connecticut, known to us old-timers as the Goodspeed Opera House, is mounting a workmanlike production of the Arthur Laurents/Jule Styne/Stephen Sondheim classic, Gypsy, directed by Jenn Thompson. The production tries mightily to do justice to what many critics and historians of
The Ripple, The Wave At Yale Rep Playwright Christina Anderson’s earnest The Ripple, The Wave That Carried Me Home makes great use of water as metaphor. The 90-minute play, performed without intermission at the Yale Rep, strives for poetry as it tells the tale of segregated swimming pools in the
Ain’t Misbehavin’ at Westport Country Playhouse The Westport Country Playhouse is presenting a middling revival of Ain’t Misbehavin’: The Fats Waller Musical Show. Conceived by Richard Maltby, Jr. and Murray Horwitz, it wowed Broadway (and me) back in 1978. For this outing, a co-production with Barrington Stage and Geva Theatre
Mojada At Yale Rep The play’s title is Mojada, which literally means “wet” in Spanish, the feminine form of the Mexican slur for “wetback.” The play’s subtitle is A Medea in Los Angeles, so you know things aren’t going to end well. And I’m not talking about the traffic on
Sound Of The Underground at The Royal Court Those coming to Travis Alabanza’s Sound of the Underground at London’s Royal Court Theatre expecting the sort of cheerful, glamorous drag show popularized by La Cage Aux Folles and Ru Paul’s Drag Race will likely be disappointed. Those who can handle some
The 2024 Season – Part One As Christmas approaches what better way to escape the crass commercialism of the holiday season than to toss another log on the fire, settle back with your single malt, and savor the crass commercialism of the 2024 theatrical season in southwestern Ontario! By now
Shaw’s best seats Back in the days when I was writing guidebooks to Orlando’s many theme parks, I would include a section in my descriptions of various attractions called “the best seats in the house,” wherein I would attempt to guide readers to the best locations from which to maximize
Reflections on the 2023 Season It’s not a horserace, it’s not a competition, and there are a lot of apples vs. oranges considerations when it comes to discussing the very different theatre companies that call southwestern Ontario home. And yet . . . Now that the 2023 season is more
Is This The Stratford Festival’s Best Kept Secret? Looking for a nice quiet light lunch or dinner before the show? Or maybe you’d just like to have lunch in a quiet environment in which you can actually hear your companion. Let me introduce you to the Tom Pat cafe, located
A New Slings and Arrows Podcast Debuts Slings and Arrows fans rejoice. A “kind of official” podcast devoted to the cult favorite is now available and it’s a great way to mark the show’s twentieth anniversary year. Outrageous Fortune, as the podcast is dubbed, promises to be a gold mine
The Real Poems Returns To Stratford One of the highlights of last season was Here For Now Theatre‘s production of The Real Poems, a superb one-man show written and performed by Robert McQueen. Here is the opening paragraph of my review: With its closing production of Robert McQueen’s beautifully written,
