Heartbreak House At The Shaw Festival Tim Carroll’s production of George Bernard Shaw’s Heartbreak House boasts a stellar cast. Why then does it fall so flat? A major reason, I think, is that a very important character is missing – Heartbreak House. Not the play but the physical location. Shaw
Jeeves & Wooster At The Shaw Festival I have a vague suspish that Robert and David Goodale must have seen The 39 Steps or Stones In His Pockets and thought, “Jolly good fun! How hard can it be?” And so, taking the inimitable P. G. Wodehouse stories of the amiable,
The Long Weekend At The Foster Festival When the first line of a play is “This weekend is going to make a colonoscopy seem like a lighthearted treasure hunt,” you sense that it’s going to be a bumpy ride. So it is with the revival of Norm Foster’s 1994 hit,
Sleuth At The Shaw Festival I believe I am on record as not liking plays such as Sleuth, the brain-twisting murder mystery by Anthony Shaffer, now enthralling audiences at the Shaw Festival’s resuscitated Court House Theatre. Like Agatha Christie’s And Then There Were None, Sleuth challenges you to figure out
The Importance of Being Earnest At The Stratford Festival Krista Jackson’s vastly entertaining production of Oscar Wilde’s The Importance of Being Earnest, currently playing to packed houses at the Stratford Festival’s Avon Theatre, may not be absolute perfection, but it will more than do until something better comes along. Wilde’s
Love Us Most At Here For Now Theatre First, a public service announcement: Please don’t read the programme for Love Us Most, Sara Farb’s world premiere play at Here for Now, before you see the show. I did and expected a very different play from the one I saw. Love
The Salvagers At Yale Rep The Salvagers by Harrison David Rivers, having its world premiere at Yale Rep, is the latest in a long line of semi-successful plays to indulge in kitchen sink realism. There is an angry young man at the center of the working class Salvage family –
Dreamgirls At Goodspeed Musicals In 1981, when Dreamgirls debuted at the Imperial Theatre, it electrified Broadway – and me – thanks to a star-making turn by Jennifer Holliday and an eye-popping production orchestrated by director Michael Bennett with the aid of theatre design legends like Robin Wagner (sets), Theoni Aldredge
Jaja’s African Hair Braiding At Manhattan Theatre Club These days White people get lectured a fair amount about the dos and don’ts of how they should approach Black women’s hair. Thanks to Jaja’s African Hair Braiding, Jocelyn Bioh’s hit comedy at Manhattan Theatre Company, curious White folk have an opportunity
Private Jones At Goodspeed Musicals Private Jones, Marshall Pailet’s ambitious new musical at Goodspeed Musicals, aims high and hits a few targets but ultimately misses the mark. Based on a supposedly true story, Private Jones tells the story of a deaf kid from Breconshire, Wales, who lies about his age
The 12 At Goodspeed Musicals The 12, the new musical at Goodspeed Musicals by Robert Schenkkan and Neil Berg, about the twelve apostles minus Judas (yes, those guys) looks terrific. The set designer John Doyle, who also directs, has created a surprisingly attractive dump of an abandoned industrial site. It’s
Wish You Were Here At Yale Rep Sanaz Toossi’s Wish You Were Here, now playing at New Haven’s Yale Rep, is a well-intentioned disappointment. Wish You Were Here charts the gradually unravelling relationships among a tight-knit group of five female friends in Karaj, Iran, during a tumultuous period. The decade
Here For Now Announces 2025 Season Stratford’s Here For Now Theatre has announced a 2025 season of five one-act plays, all premieres of one sort or another, running from May 28 to August 31. This will be the company’s first season in its new indoor space in Stratford’s former Registry
Vale Atque Ave or Wither Stratford? The Latin scholars among you may recognize that headline as an inversion of the more traditional “Ave Atque Vale” (Hail and Farewell). I refer, of course, to the upcoming changing of the guard at the Stratford Festival, where Artistic Director Antoni Cimolino will be
What Was I Thinking? As I was meandering through Europe, contemplating exile, I found myself in Siracusa, Italy, taking it slow and relaxing in a nice hotel as I recuperated from back and leg pain (long story). Once I was feeling better I ventured out to explore Ortigia, Siracusa’s “old
Rampersad Helms ‘The Red Shoes’ At RSC Following in Tim Carroll’s footsteps, Kimberley Rampersad, the Associate Artistic Director of the Shaw Festival is directing and choreographing The Red Shoes at the Royal Shakespeare Company in Stratford-upon-Avon. This Red Shoes is a new version of Hans Christian Andersen’s “dark fairy tale”
The 2024 OntarioStage Awards What they lack in prestige, they more than make up for in pointlessness.™ It’s the third time around for the annual awards compilation voted “Easiest to Ignore” by the Canadian theatre establishment. The usual caveats apply: As an American, my time in Canada is limited thanks
Lighthouse Theatre Announces Its 2025 Season The Lighthouse Theatre in Port Dover, Ontario, was new to me this season, but based on my visit to see Norm Foster’s Lakefront, I’ll be returning to their comfy 350-seat house next year. Lighthouse has announced its 2025 season and it looks more than
