Elsewhere

Orgasmos at Teatro Arlequin in Madrid Based on the title, one might expect that Orgasmos (Orgasms), which enjoyed a recent one-night stand – how appropriate! – at Madrid’s Teatro Arlequin Gran Via, was devised to lure in sad old men in greasy raincoats and Japanese tourists, rather like O Calcutta of blessed memory. In fact,…

Lucia Di Lammermoor At The Bayerische Staatsoper Before I get to Donizetti’s Lucia Di Lammermoor, and in the interest of full disclosure, let me begin by confessing my profound ignorance of classical music and all things operatic. Not only is it an art form for which I have no instinctive appreciation, I find most of…

Othello At The Royal Shakespeare Company Tim Carroll is taking a bit of a sabbatical from his duties as Artistic Director of the Shaw Festival in Canada’s Niagara-on-the-Lake to direct William Shakespeare’s Othello at the Royal Shakespeare Company in England’s Stratford-upon-Avon. I’ve seen four Shakespeares directed by Carroll, at The Globe in London, on Broadway,…

The Lehman Trilogy In The West End “Give ‘em the old razzle-dazzle,” from Chicago, kept going through my mind as I watched Sam Mendes’ astonishing production of The Lehman Trilogy, now being revived on London’s West End at the spacious yet intimate Gillian Lynne Theatre. Adapted by Ben Power from a script by Italian playwright…

Safe House At The Abbey Theatre I haven’t had much luck with the Irish avant garde. I have vague memories of a wordless Grotowsi-esque rendition of the Great Hunger that came to New York some decades ago. Now there’s Safe House, the new 90-minute whatchamacallit by Enda Walsh and Anna Mullarkey, now puzzling audiences on…

Stereophonic on Broadway Stereophonic, the cleverly crafted play by David Adjmi, directed with surgical precision by Daniel Aukin, that plays like a Frederick Wiseman fly-on-the-wall documentary, snagged a Tony for Best Play. It’s easy to see why. Set in a Sausalito recording studio circa 1976 and clocking in at just over three hours, Stereophonic painstakingly…

The Hills of California On Broadway “The hills of California will give ya a start. I guess I better warn ya cuz you’ll lose your heart,” says the Johnny Mercer song from 1948. The Hills of California, the new play from Jez Butterworth now at Broadway’s Broadhurst Theatre, may not make you lose your heart,…

Falcon Girls at The Yale Rep Falcon Girls by Hilary Bettis, now receiving its world premiere at the Yale Rep, is a grab bag of characters, themes, issues, and notions that comes across more as notes for episodes in a multi-season TV mini series than a fully formed play. That’s perhaps not too surprising since…

Escaped Alone At Yale Rep Caryl Churchill’s 2016 play, Escaped Alone, is a puzzlement, which despite its 55 intermissionless minutes seems to go on forever. The four women in Yale’s production of Escaped Alone, middle-aged to elderly (although Churchill apparently specified that they are all “at least 70”), sit in a garden and natter on…

A View From The Bridge at Long Wharf Theatre The now homeless and itinerant Long Wharf Theatre is making ingenious use of an ad hoc space on the second floor of the sleek Canal Dock Boathouse on the shore of New Haven harbor to mount a smashing revival of Arthur Miller’s 1955 A View From…

The Salvagers At Yale Rep The Salvagers by Harrison David Rivers, having its world premiere at Yale Rep, is the latest in a long line of semi-successful plays to indulge in kitchen sink realism. There is an angry young man at the center of the working class Salvage family – a Black angry young man…

Dreamgirls At Goodspeed Musicals In 1981, when Dreamgirls debuted at the Imperial Theatre, it electrified Broadway – and me – thanks to a star-making turn by Jennifer Holliday and an eye-popping production orchestrated by director Michael Bennett with the aid of theatre design legends like Robin Wagner (sets), Theoni Aldredge (costumes), and especially lighting designer…

Jaja’s African Hair Braiding At Manhattan Theatre Club These days White people get lectured a fair amount about the dos and don’ts  of how they should approach Black women’s hair. Thanks to Jaja’s African Hair Braiding, Jocelyn Bioh’s hit comedy at Manhattan Theatre Company, curious White folk have an opportunity to indulge their curiosity at…

Private Jones At Goodspeed Musicals Private Jones, Marshall Pailet’s ambitious new musical at Goodspeed Musicals, aims high and hits a few targets but ultimately misses the mark. Based on a supposedly true story, Private Jones tells the story of a deaf kid from Breconshire, Wales, who lies about his age to do his bit in…

The 12 At Goodspeed Musicals The 12, the new musical at Goodspeed Musicals by Robert Schenkkan and Neil Berg, about the twelve apostles minus Judas (yes, those guys) looks terrific. The set designer John Doyle, who also directs, has created a surprisingly attractive dump of an abandoned industrial site. It’s an empty box, all corrugated…

Wish You Were Here At Yale Rep Sanaz Toossi’s Wish You Were Here, now playing at New Haven’s Yale Rep, is a well-intentioned disappointment. Wish You Were Here charts the gradually unravelling relationships among a tight-knit group of five female friends in Karaj, Iran, during a tumultuous period. The decade or so between 1978 and…

Summer Stock At Goodspeed Musicals Summer Stock, the horribly dated 1950 film starring Gene Kelly and a fading Judy Garland, has been transformed into a “new musical comedy” at Goodspeed Musicals in East Haddam, CT. The big question for anyone who remembers the film is “Why bother?” There are two answers to that question: Cheri…

Gypsy at Goodspeed Musicals Goodspeed Musicals in East Haddam, Connecticut, known to us old-timers as the Goodspeed Opera House, is mounting a workmanlike production of the Arthur Laurents/Jule Styne/Stephen Sondheim classic, Gypsy, directed by Jenn Thompson. The production tries mightily to do justice to what many critics and historians of the genre consider the greatest…

The Ripple, The Wave At Yale Rep Playwright Christina Anderson’s earnest The Ripple, The Wave That Carried Me Home makes great use of water as metaphor. The 90-minute play, performed without intermission at the Yale Rep, strives for poetry as it tells the tale of segregated swimming pools in the fictional town of Beacon, Kansas,…

Ain’t Misbehavin’ at Westport Country Playhouse The Westport Country Playhouse is presenting a middling revival of Ain’t Misbehavin’: The Fats Waller Musical Show. Conceived by Richard Maltby, Jr. and Murray Horwitz, it wowed Broadway (and me) back in 1978. For this outing, a co-production with Barrington Stage and Geva Theatre Center, director Jeffrey L. Page…