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Major Barbara At The Shaw Festival I keep forgetting how deliciously witty, falling down funny, and eternally topical George Bernard Shaw’s Major Barbara is. Fortunately, the Shaw Festival remounts it from time to time to remind us. The current revival, the first since 2013, is helmed by Peter Hinton-Davis. It may not be the definitive…

Forget About Tomorrow At Here For Now Theatre Forget About Tomorrow, a play by Jill Daum now receiving its Ontario premiere at Stratford’s Here For Now Theatre, may be tough going for some, but thanks to sensitive direction by Peter Pasyk and a talented cast it rewards our close attention for its 80-minute length. Jane…

Sir John A At The Blyth Festival Most theatre companies in Canada give a nod to the righteous anger of the country’s indigenous (or First Nations) population by opening every show with a performative and, to my mind, meaningless “land acknowledgement.” The Blyth Festival has a history of placing the issues underlying those acknowledgements front…

Anne of Green Gables At The Stratford Festival I had any number of nits to pick with Anne of Green Gables, adapted and directed by Kat Sandler from the 1908 novel by Lucy Maud Montgomery, but in the end none of that mattered. Swept along in a shameless sea of sentiment and schmaltz, buoyed by…

Winter’s Tale At The Stratford Festival Thank God for director Antoni Cimolino! His searing, lyrical, and ultimately shattering production of Winter’s Tale at the Tom Patterson Theatre is the best Shakespeare I’ve seen at Stratford – or anywhere else for that matter – in many years. I came to this Winter’s Tale wondering if Cimolino…

As You Like It At The Stratford Festival William Shakespeare’s As You Like It, now being presented at the Stratford Festival’s Festival Theatre under the direction of Chris Abraham, is a pastoral comedy. Well, it’s supposed to be. The play contrasts the regime of the usurper Duke Frederick of France with the idyllic and idealized…

Macbeth At The Stratford Festival I saw Robert Lepage’s production of Macbeth at Stratford’s Avon Theatre and I came out humming the scenery. If you saw his Coriolanus at Stratford or Kà, still playing in Las Vegas, you know that Lepage is a visual artist of considerable genius and one of the best theatrical magicians…

Tons of Money At The Shaw Festival The Shaw Festival’s laudable tradition of reviving forgotten comic gems from the so-called “mandate period” (Shaw’s long lifetime) continues with the 1922 farce Tons of Money by Will Evans and Valentine (the pseudonym of Archibald Thomas Peachey). Alas, Tons of Money is not tons of funny. (Feel free…

Anything Goes At The Shaw Festival Anything Goes, directed and choreographed by Kimberley Rampersad is yet another musical comedy triumph for the Shaw Festival. Rampersad and the Festival are most definitely on a roll. Rampersad seems to have made a decision to foster a troupe that can tap dance like nobody’s business. Her success in…

Stick Around At Here For Now Theatre – A Review Here For Now Theatre describes its season opener, the world premiere of Stick Around by Rebecca Northan, as a comedy. “Comedy” is apparently Canadian patois for “it’ll rip your heart out.” While it has a few laughs, Stick Around is the “mildly fictionalized” and decidedly…

Dirty Rotten Scoundrels At The Stratford Festival I saw Dirty Rotten Scoundrels when it premiered on Broadway in 2005 and didn’t care for it very much. Twenty years later, at the Stratford Festival’s Avon Theatre, I found I liked it even less. Here’s what I had to say in 2005 (substituting the names of performers…

Dear Liar At The Shaw Festival I was somewhat distressed to note that this season the Shaw Festival is only presenting one play by their namesake playwright, Major Barbara, which opens relatively late in the season. So Dear Liar by Jerome Kilty, presented in the intimate Spiegeltent, is especially welcome. Based on the voluminous correspondence…

The Lion, The Witch And The Wardrobe At The Shaw Festival Back in 2016 at the Stratford Festival, Shaw Artistic Director Tim Carroll directed an adaptation of C. S. Lewis’ The Lion, the Witch and the Wardrobe (hereinafter LWW) by English playwright Adrian Mitchell. I didn’t review that show but I remember it as being…

  Bedtime Stories At The Firehall Theatre Bedtime Stories, a 2006 comedy by Norm Foster, which just opened at the Firehall Theatre in Niagara Falls, Ontario, is unusual for a Foster comedy. It also marks an unusual collaboration between the Foster Festival and the community theatres of the Niagara Region. As Emily Oriold, Artistic Director…

Annie At The Stratford Festival Let’s put aside the many ironies of Canada’s premier theatrical company staging a musical that features a New York City billionaire who not only claims to be the world’s most successful businessman but who has the ear of the president. Instead let’s talk about Annie, the musical destined to become…

Who’s Afraid of Virginia Woolf At Canadian Stage I’m not a big fan of Edward Albee’s Who’s Afraid of Virginia Woolf and the new production at Canadian Stage’s Bluma Appel Theatre in Toronto did nothing to change my mind. Perhaps when it debuted in 1962 this three hour plus exercise in concentrated bitchiness seemed envelope-pushing.…

Wights at Crow’s Theatre Wights, a noble failure of a play by Liz Appel, is getting the high-tech, razzle-dazzle treatment from director Chris Abraham that’s fast becoming his signature style at Crow’s Theatre in Toronto. Despite its drawbacks, I found it well worth the schlep into T-Town. In a house in New Haven, Connecticut, a…

Heist At The Grand Theatre Playwright Arun Lakra, whose Heist is enjoying an exuberant production at the Grand Theatre in London, Ontario, is a self-confessed fan of heist movies. His favourite and the apparent inspiration for Heist is Ocean’s Eleven, the star studded caper flick of 2001. Heist, the stage play, follows the Hollywood formula:…

Dinner With The Duchess At Here For Now Theatre Playwright Nick Green made quite a splash last season at the Stratford Festival with his powerful and touching Casey and Diana. He has returned to Stratford, not to the Festival stages but to the intimate confines of Here For Now Theatre’s sylvan tent on the western…

Hedda Gabler At The Stratford Festival Henrik Ibsen’s Hedda Gabler from 1891 is one of the masterpieces of early modern theatre. It was quite shocking back then. In the production now playing at the Stratford Festival’s Tom Patterson Theatre it is more puzzling than anything else. The title role is sought after by most serious…