
Goblin:Oedipus At The Stratford Festival – A Review
Goblin:Oedipus At The Stratford Festival There once was a king named Oedipus Rex. You may have heard about his odd complex. His name appears in Freud’s index ’Cause he looooved

Goblin:Oedipus At The Stratford Festival There once was a king named Oedipus Rex. You may have heard about his odd complex. His name appears in Freud’s index ’Cause he looooved

Bright Star At CAA Theatre Bright Star, the Steve Martin/Edie Brickell musical, was apparently not a hit on Broadway in 2016, running a mere 109 performances. In the hands of Garner Theatre Productions and their co-producers it is a substantial success at the Mirvish Company’s CAA theatre. Unfortunately, as part

Octet at Crow’s Theatre Octet, the a capella musical by Dave Malloy, now at Crow’s Theatre in Toronto under Chris Abraham’s direction, has received ecstatic reviews from all the critics. So why do I find myself neither shaken nor stirred? Octet is set in your typical church basement (nicely evoked

Misery At St Jacobs Country Playhouse I once described the fare offered by Drayton Entertainment as a welcome palate cleanser to the hoity-toity fare served up by august institutions like the Shaw and Stratford Festivals. Misery by William Goldman, adapting Steven King’s novel and movie of the same name, is

Tell Tale Harbour At The Royal Alexandra I think it’s fair to say that many people in Canada hoped that Tell Tale Harbour, the new musical featuring songs by Alan Doyle, co-founder and lead singer of the Newfoundland folk-rock group Great Big Sea would prove to be the next Come

Here On The Flight Path At The Lighthouse Festival The Lighthouse Festival in Port Dover has another hit on its hands with the revival of Norm Foster’s 1997 comedy, Here on the Flight Path. John Cummings (Reid Janisse), a 40-something divorcé who writes a newspaper column called “Cummings and Goings,”

Eden At Yale Rep The Yale Rep kicks off the new year with a welcome revival of Steve Carter’s 1976 play, Eden. The first of Carter’s so-called Caribbean Trilogy, Eden won awards both in New York and Los Angeles, but as far as I can tell has been revived only

Orgasmos at Teatro Arlequin in Madrid Based on the title, one might expect that Orgasmos (Orgasms), which enjoyed a recent one-night stand – how appropriate! – at Madrid’s Teatro Arlequin Gran Via, was devised to lure in sad old men in greasy raincoats and Japanese tourists, rather like O Calcutta

Lucia Di Lammermoor At The Bayerische Staatsoper Before I get to Donizetti’s Lucia Di Lammermoor, and in the interest of full disclosure, let me begin by confessing my profound ignorance of classical music and all things operatic. Not only is it an art form for which I have no instinctive

Othello At The Royal Shakespeare Company Tim Carroll is taking a bit of a sabbatical from his duties as Artistic Director of the Shaw Festival in Canada’s Niagara-on-the-Lake to direct William Shakespeare’s Othello at the Royal Shakespeare Company in England’s Stratford-upon-Avon. I’ve seen four Shakespeares directed by Carroll, at The

The Lehman Trilogy In The West End “Give ‘em the old razzle-dazzle,” from Chicago, kept going through my mind as I watched Sam Mendes’ astonishing production of The Lehman Trilogy, now being revived on London’s West End at the spacious yet intimate Gillian Lynne Theatre. Adapted by Ben Power from

Safe House At The Abbey Theatre I haven’t had much luck with the Irish avant garde. I have vague memories of a wordless Grotowsi-esque rendition of the Great Hunger that came to New York some decades ago. Now there’s Safe House, the new 90-minute whatchamacallit by Enda Walsh and Anna
Liars At A Funeral Is Back I saw Liars At A Funeral in 2023 at the Blyth Festival and raved about it. This season it is being revived by Drayton Entertainment at the St. Jacobs Country Playhouse. As is so often the case with plays and productions I love I
Last season, Drayton Entertainment revived Norm Foster’s Halfway There at their namesake venue in Drayton and I absolutely adored it. So when I learned they were bringing it back this season, this time at their very stylish Cambridge location, I was quick to book tickets and bring friends along. The

Here For Now Announces 2025 Season Stratford’s Here For Now Theatre has announced a 2025 season of five one-act plays, all premieres of one sort or another, running from May 28 to August 31. This will be the company’s first season in its new indoor space in Stratford’s former Registry

Vale Atque Ave or Wither Stratford? The Latin scholars among you may recognize that headline as an inversion of the more traditional “Ave Atque Vale” (Hail and Farewell). I refer, of course, to the upcoming changing of the guard at the Stratford Festival, where Artistic Director Antoni Cimolino will be

What Was I Thinking? As I was meandering through Europe, contemplating exile, I found myself in Siracusa, Italy, taking it slow and relaxing in a nice hotel as I recuperated from back and leg pain (long story). Once I was feeling better I ventured out to explore Ortigia, Siracusa’s “old

Rampersad Helms ‘The Red Shoes’ At RSC Following in Tim Carroll’s footsteps, Kimberley Rampersad, the Associate Artistic Director of the Shaw Festival is directing and choreographing The Red Shoes at the Royal Shakespeare Company in Stratford-upon-Avon. This Red Shoes is a new version of Hans Christian Andersen’s “dark fairy tale”