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ransacking troy

Ransacking Troy At The Stratford Festival – A Review

Ransacking Troy At The Stratford Festival In Ransacking Troy, a lengthy retelling of the tales told by Homer in The Iliad and The Odyssey, feminist playwright Erin Shields imagines the women of the ancient epic, frustrated by the ten-year war, taking matters into their own hands. Ransacking Troy begins with

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apples in winter

Apples In Winter At Here For Now Theatre – A Review

Apples In Winter At Here For Now Theatre Apples in Winter, Jennifer Fawcett’s taut one-hour monologue now at Here For Now Theatre is not for the faint of heart. Miriam (Birgitte Solem) is making a pie for her son, Robert, which would seem to be a fairly jolly thing to

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radio town

Radio Town At The Blyth Festival – A Review

Radio Town At The Blyth Festival Radio Town: The Doc Cruickshank Story by Nathan Howe, the last show of the Blyth Festival’s 2025 season, is a perfect example of what Blyth does best and what makes the place a Canadian national treasure. It was the dead of winter 1926 in

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dangerous liaisons

Dangerous Liaisons At The Stratford Festival – A Review

Dangerous Liaisons At The Stratford Festival Dangerous Liaisons was a big hit for English playwright Christopher Hampton in 1985 (it won an Olivier). It has been revived regularly ever since, most recently at the Stratford Festival in 2010. Now Dangerous Liaisons once more graces the Festival Theatre stage in a

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art of war

The Art Of War At The Stratford Festival – A Review

The Art Of War At The Stratford Festival SPOILER ALERT: The Art of War, the lyrical and elegiac new play by Yvette Nolan, has nothing to do with Sun Tzu. The Art of War, now playing at the Stratford Festival’s intimate Studio Theatre, is part art history lesson, part meditation

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blues for an alabama sky

Blues For An Alabama Sky At The Shaw Festival – A Review

Blues For An Alabama Sky At The Shaw Festival With Blues For An Alabama Sky, now at the intimate Jackie Maxwell Studio, the Shaw Festival continues its run of solid revivals of the African-American theatrical canon. This 1995 melodrama by Pearl Cleage may not have the heft of The Amen

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Elsewhere
othello

Othello At The Royal Shakespeare Company – A Review

Othello At The Royal Shakespeare Company Tim Carroll is taking a bit of a sabbatical from his duties as Artistic Director of the Shaw Festival in Canada’s Niagara-on-the-Lake to direct William Shakespeare’s Othello at the Royal Shakespeare Company in England’s Stratford-upon-Avon. I’ve seen four Shakespeares directed by Carroll, at The

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the lehman trilogy

The Lehman Trilogy In The West End – A Review

The Lehman Trilogy In The West End “Give ‘em the old razzle-dazzle,” from Chicago, kept going through my mind as I watched Sam Mendes’ astonishing production of The Lehman Trilogy, now being revived on London’s West End at the spacious yet intimate Gillian Lynne Theatre. Adapted by Ben Power from

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safe house

Safe House At The Abbey Theatre – A Review

Safe House At The Abbey Theatre I haven’t had much luck with the Irish avant garde. I have vague memories of a wordless Grotowsi-esque rendition of the Great Hunger that came to New York some decades ago. Now there’s Safe House, the new 90-minute whatchamacallit by Enda Walsh and Anna

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stereophonic

Stereophonic On Broadway – A Review

Stereophonic on Broadway Stereophonic, the cleverly crafted play by David Adjmi, directed with surgical precision by Daniel Aukin, that plays like a Frederick Wiseman fly-on-the-wall documentary, snagged a Tony for Best Play. It’s easy to see why. Set in a Sausalito recording studio circa 1976 and clocking in at just

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hills of california

The Hills Of California On Broadway – A Review

The Hills of California On Broadway “The hills of California will give ya a start. I guess I better warn ya cuz you’ll lose your heart,” says the Johnny Mercer song from 1948. The Hills of California, the new play from Jez Butterworth now at Broadway’s Broadhurst Theatre, may not

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falcon girls

Falcon Girls At The Yale Rep – A Review

Falcon Girls at The Yale Rep Falcon Girls by Hilary Bettis, now receiving its world premiere at the Yale Rep, is a grab bag of characters, themes, issues, and notions that comes across more as notes for episodes in a multi-season TV mini series than a fully formed play. That’s

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Blog

Norm Foster’s Halfway There Is Back

Last season, Drayton Entertainment revived Norm Foster’s Halfway There at their namesake venue in Drayton and I absolutely adored it. So when I learned they were bringing it back this season, this time at their very stylish Cambridge location, I was quick to book tickets and bring friends along. The

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here for now

Here For Now Theatre Announces 2025 Season

Here For Now Announces 2025 Season Stratford’s Here For Now Theatre has announced a 2025 season of five one-act plays, all premieres of one sort or another, running from May 28 to August 31. This will be the company’s first season in its new indoor space in Stratford’s former Registry

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mengesha

Vale Atque Ave or Wither Stratford?

Vale Atque Ave or Wither Stratford? The Latin scholars among you may recognize that headline as an inversion of the more traditional “Ave Atque Vale” (Hail and Farewell). I refer, of course, to the upcoming changing of the guard at the Stratford Festival, where Artistic Director Antoni Cimolino will be

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un sogno a istanbul

What Was I Thinking?

What Was I Thinking? As I was meandering through Europe, contemplating exile, I found myself in Siracusa, Italy, taking it slow and relaxing in a nice hotel as I recuperated from back and leg pain (long story). Once I was feeling better I ventured out to explore Ortigia, Siracusa’s “old

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the red shoes

Rampersad Helms Red Shoes At RSC

Rampersad Helms ‘The Red Shoes’ At RSC Following in Tim Carroll’s footsteps, Kimberley Rampersad, the Associate Artistic Director of the Shaw Festival is directing and choreographing The Red Shoes at the Royal Shakespeare Company in Stratford-upon-Avon. This Red Shoes is a new version of Hans Christian Andersen’s “dark fairy tale”

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Announcing The 2024 OntarioStage Awards

The 2024 OntarioStage Awards What they lack in prestige, they more than make up for in pointlessness.™ It’s the third time around for the annual awards compilation voted “Easiest to Ignore” by the Canadian theatre establishment. The usual caveats apply: As an American, my time in Canada is limited thanks

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