Richard III at Stratford Shakespeare Festival

First, it must be said that McKenna is a much more than adequate Richard. So much so that I and several companions were left wondering why, after demonstrating that this woman could take up one of Shakespeare’s greatest villains and make you forget her gender almost immediately, the director Miles Potter (who is also McKenna’s husband) didn’t ask more of her.
The Misanthrope at Stratford Shakespeare Festival

Under the confident direction of David Grindley, the production puts Moliere’s text front and center, although fleshing out the milieu of his privileged characters might have added a welcome layer. Grindley is ably abetted by John Lee Beatty’s stately unit set and the gorgeous costumes by Robin Fraser Paye are almost a show by themselves. I dare say the costume budget alone was larger than the annual salaries of all but the very richest in the audience.
The Merry Wives of Windsor at Stratford Shakespeare Festival

Falstaff is played by long-time Festival star Geraint Wyn Davies and his performance is an unalloyed delight from start to finish. Even so, Tom Rooney almost steals the show with his splendid turn as the might-be cuckolded Ford.
Hosanna at Stratford Shakespeare Festival

Hosanna I was so captivated by Michel Tremblay’s For The Pleasure Of Seeing Her Again at the 2010 Stratford Shakespeare Festival that I looked forward to seeing Hosanna, a 1973 play that I gather helped establish his reputation as a major French-Canadian playwright. It turns out I had seen it before. Not this play specifically, […]
The Homecoming at Stratford Shakespeare Festival

The Homecoming Harold Pinter is a playwright of such profound idiosyncrasy that he has his very own adjective – Pinteresque. And if ever there was a Pinter play that deserves that soubriquet it’s The Homecoming, which is being given a top drawer, if somewhat flawed, revival by the Stratford Shakespeare Festival at their downtown Avon […]
Grapes of Wrath At Stratford Shakespeare Festival

This is tough theater to watch but if you can take it (and maybe even if you can’t) it is theater that demands to be seen.