Gypsy at Goodspeed Musicals Goodspeed Musicals in East Haddam, Connecticut, known to us old-timers as the Goodspeed Opera House, is mounting a workmanlike production of the Arthur Laurents/Jule Styne/Stephen Sondheim classic, Gypsy, directed by Jenn Thompson. The production tries mightily to do justice to what many critics and historians of

The Ripple, The Wave At Yale Rep Playwright Christina Anderson’s earnest The Ripple, The Wave That Carried Me Home makes great use of water as metaphor. The 90-minute play, performed without intermission at the Yale Rep, strives for poetry as it tells the tale of segregated swimming pools in the

Ain’t Misbehavin’ at Westport Country Playhouse The Westport Country Playhouse is presenting a middling revival of Ain’t Misbehavin’: The Fats Waller Musical Show. Conceived by Richard Maltby, Jr. and Murray Horwitz, it wowed Broadway (and me) back in 1978. For this outing, a co-production with Barrington Stage and Geva Theatre

Mojada At Yale Rep The play’s title is Mojada, which literally means “wet” in Spanish, the feminine form of the Mexican slur for “wetback.” The play’s subtitle is A Medea in Los Angeles, so you know things aren’t going to end well. And I’m not talking about the traffic on

Sound Of The Underground at The Royal Court Those coming to Travis Alabanza’s Sound of the Underground at London’s Royal Court Theatre expecting the sort of cheerful, glamorous drag show popularized by La Cage Aux Folles and Ru Paul’s Drag Race will likely be disappointed. Those who can handle some

Vodka With Stalin [Full Disclosure: I am a long-time friend of the playwright.] Francis Beckett is a prominent English historian of twentieth century left-wing British politics who writes the occasional play. In Vodka With Stalin, now enjoying a brief run at Upstairs at the Gatehouse, in Highgate, London, he has