The Wind Coming Over The Sea At The Blyth Festival The Wind Coming Over the Sea, the heartbreaking, elegiac play by best-selling Canadian author Emma Donoghue (“Room”) marks yet another triumph for the Blyth Festival. The Wind Coming Over the Sea tells the true story of Henry and Jane Johnson,
Forgiveness At The Stratford Festival The current efforts toward “truth and reconciliation” in Canada address the outrages visited upon the country’s First Nations peoples. Forgiveness, by Hiro Kanagawa at the Stratford Festival’s Tom Patterson Theatre, does something similar for Canada’s Japanese minority. Forgiveness is based on Mark Sakamoto’s memoir about
Sense and Sensibility At The Stratford Festival Kate Hamill brings an antic disposition to her adaptations of Jane Austen’s classic novels. Her Sense and Sensibility, now getting an energetic, if occasionally over-emphatic production at the Stratford Festival stays more or less true to the original while mining its comic possibilities.
Major Barbara At The Shaw Festival I keep forgetting how deliciously witty, falling down funny, and eternally topical George Bernard Shaw’s Major Barbara is. Fortunately, the Shaw Festival remounts it from time to time to remind us. The current revival, the first since 2013, is helmed by Peter Hinton-Davis. It
Forget About Tomorrow At Here For Now Theatre Forget About Tomorrow, a play by Jill Daum now receiving its Ontario premiere at Stratford’s Here For Now Theatre, may be tough going for some, but thanks to sensitive direction by Peter Pasyk and a talented cast it rewards our close attention
Sir John A At The Blyth Festival Most theatre companies in Canada give a nod to the righteous anger of the country’s indigenous (or First Nations) population by opening every show with a performative and, to my mind, meaningless “land acknowledgement.” The Blyth Festival has a history of placing the
Summer Stock At Goodspeed Musicals Summer Stock, the horribly dated 1950 film starring Gene Kelly and a fading Judy Garland, has been transformed into a “new musical comedy” at Goodspeed Musicals in East Haddam, CT. The big question for anyone who remembers the film is “Why bother?” There are two
Gypsy at Goodspeed Musicals Goodspeed Musicals in East Haddam, Connecticut, known to us old-timers as the Goodspeed Opera House, is mounting a workmanlike production of the Arthur Laurents/Jule Styne/Stephen Sondheim classic, Gypsy, directed by Jenn Thompson. The production tries mightily to do justice to what many critics and historians of
The Ripple, The Wave At Yale Rep Playwright Christina Anderson’s earnest The Ripple, The Wave That Carried Me Home makes great use of water as metaphor. The 90-minute play, performed without intermission at the Yale Rep, strives for poetry as it tells the tale of segregated swimming pools in the
Ain’t Misbehavin’ at Westport Country Playhouse The Westport Country Playhouse is presenting a middling revival of Ain’t Misbehavin’: The Fats Waller Musical Show. Conceived by Richard Maltby, Jr. and Murray Horwitz, it wowed Broadway (and me) back in 1978. For this outing, a co-production with Barrington Stage and Geva Theatre
Mojada At Yale Rep The play’s title is Mojada, which literally means “wet” in Spanish, the feminine form of the Mexican slur for “wetback.” The play’s subtitle is A Medea in Los Angeles, so you know things aren’t going to end well. And I’m not talking about the traffic on
Sound Of The Underground at The Royal Court Those coming to Travis Alabanza’s Sound of the Underground at London’s Royal Court Theatre expecting the sort of cheerful, glamorous drag show popularized by La Cage Aux Folles and Ru Paul’s Drag Race will likely be disappointed. Those who can handle some
Wisconsin Theatre As an American, I pride myself on having pierced the Poutine Curtain to bring news of Canada’s theatrical riches to my benighted fellow countrymen. Now I discover that Ilana Lucas, an intrepid reporter for Intermission, a Canadian online magazine devoted to theatre, has made the reverse journey and
The 2023 OntarioStage Awards What they lack in prestige, they more than make up for in pointlessness.™ Once more unto the breach with the annual awards compilation voted “Easiest to Ignore” by the Canadian theatre establishment. The usual caveats apply: As an American, my time in Canada is limited thanks
The 2024 Season – Part Two To the extent that Americans are aware of the theatrical riches of Ontario’s summer “festival” season at all, they are probably familiar with The Stratford Festival and The Shaw Festival in Niagara-on-the-Lake. I discussed the 2024 season at these august institutions, along with my
The 2024 Season – Part One As Christmas approaches what better way to escape the crass commercialism of the holiday season than to toss another log on the fire, settle back with your single malt, and savor the crass commercialism of the 2024 theatrical season in southwestern Ontario! By now
Shaw’s best seats Back in the days when I was writing guidebooks to Orlando’s many theme parks, I would include a section in my descriptions of various attractions called “the best seats in the house,” wherein I would attempt to guide readers to the best locations from which to maximize
Reflections on the 2023 Season It’s not a horserace, it’s not a competition, and there are a lot of apples vs. oranges considerations when it comes to discussing the very different theatre companies that call southwestern Ontario home. And yet . . . Now that the 2023 season is more
